Showing posts with label Matthew Diamond. Show all posts
Showing posts with label Matthew Diamond. Show all posts

Saturday, January 23, 2010

"The Great Detroit Auto Show Fire of 2010"

You never know who reads your blog, who picks up on your Twitter feed, or where you are going to be quoted. My good friend, Joe Neuberger, kindly informed me via Twitter (again!) that I was quote in a post over at Gawker Media's Jalopnik. If you aren't familiar with Jalopnik, it is a compelling auto news site that I check out frequently during the auto show season.

Head on over to Jalopnik to check out the article and the um, interesting comments that follow or read the article in its entirety below. Thanks, Jalopnik!

Were You At The Great Detroit Auto Show Fire Of 2010?












Reports from those on hand at the Great Detroit Auto Show Fire indicate no fire alarms went off, information was poorly shared, and Cobo Hall was altogether ill-prepared for the incident. Were you there? Have pictures of the aftermath?

The consensus is the fire occurred due to an electric issue with an adapter above the Audi stage that quickly ignited the roof above Audi and spread flames and black smoke around the hall. The response, according to The Booth Babe on DYCWTC, wasn't great:

What's the opposite of urgent? Lackadaisical? Because that's the kind of announcement that was made to evacuate the hall, and it was not backed up by anyone from their crack security team ushering people out. In fact, people were still milling around inside the hall poking around in vehicles a good half hour after the initial announcement. Instead of being led to nearest exits, people were told to go back to the lobby, which meant everyone marched straight towards the fire and smoke.

This reported is backed up by Kristyn Burtt, who writes RedCarpetCloset and is also a product specialist:

Honestly, I am not sure the show should have reopened. We came into a hall that had a strong stench of burnt plastic and all of the fire doors open to the outside. So, the temperature had dropped below 50 degrees in order to blow out the smoke and odor. It was not the healthiest environment to work in, but we plowed through the rest of the shift with headaches and stinging, burning throats.

Curiously, the new management company in charge of Cobo made a big deal this year about preparing for just such an occurrence in an Automotive News story before the show. Gary Brown, the chief construction officer for the Detroit Regional Convention Facility Authority, said they'd fixed a glitch in Cobo's fire system and worked on emergency equipment.

There are emergency battery lights that were dead, and we've replaced those batteries on the emergency system. We've also done a fire protection investigation and inspection that was routine anyway, but we've done it in advance of the auto show."

Since the building didn't burn down it doesn't yet appear there was a major failure of any fire-suppression systems, but it does make us wonder how much of the $3 million was spent on technology or operational training for staff to alert and direct visitors in the event of an emergency and if any was spent, where the money actually went.

We're glad no one was hurt (and for our sake, that the fire didn't happen during media days), but if you were there for the fire, or are there now, drop us a note with photos of the event or aftermath.

Article written by Matt Hardigree

Monday, June 22, 2009

Special Edition: Dance Camera West's Choreography Media Honors Panel


**Update: June 25, 2009**

This article was written on Monday, June 22, 2009. Michael Jackson suddenly passed away from cardiac arrest on June 25, 2009. He was a part of many dancers' childhood dreams of performing on the stage. May his music live on and may his soul continue to dance.

R.I.P., Michael


On Friday night, I had the opportunity to attend Dance Camera West's Choreography Media Honors. What a treat for choreographers, dancers, and dance aficionados! The panel consisted of the top creative teams from "So You Think You Can Dance", "The 81st Annual Academy Awards", and "High School Musical". The night was moderated by Daniel Ezralow, choreographer for the upcoming Broadway show, "Spiderman".

Highlights from each of the shows/choreographers:

SYTYCD: The spotlight was really on this show during the panel. Matthew Diamond, director, Tabitha and Napoleon, choreographers, and Tyce Diorio, choreographer. It was fascinating to hear that choreographers only get 4 and 1/2 hours of rehearsal time with the dancers before the show. Tabitha mentioned that they are literally calling out reminders and instructions as they are walking out of the studio. SYTYCD is a game show, so it is regulated by the FCC and all contestants must have the same amount of rehearsal time to make it fair to everyone. A few audience members wanted to know why the dancers didn't have the same type of launching pad as the "American Idol" contestants. It does seem that the SYTYCD winners seem to fade into obscurity while America still knows the names of Kelly Clarkson, Carrie Underwood, and Jordin Sparks. Napoleon felt that the dancers do the show because they love to dance, they don't care about being a star. Tyce mentioned that the show is only a springboard or a beginning then the reality of the dance world sets in. I think it has to do with the bottom line......$$$$. The producers make a ton of money off of these kids, put them on tour, and then throw them to the wolves when they are done. No preparation for what is about to happen or not happen to them. The producers don't look back because they have another season around the corner. Harsh, no? I even had a chat with a true insider, but I promised that our entire conversation would be off the record. And so it remains, off the record, but wow......it makes you think twice about reality/competition shows.

The 81st Academy Awards: This panel was fascinating since it consisted of Marguerite Derricks, choreographer of Hugh Jackman's opening number at the Oscars and John Palermo, producer and partner to Jackman's Seed Productions. This was probably the most interesting to me due to my work at the Kodak and the years I have worked the Meet the Oscars exhibit. I love this show and it fascinates me to see how all of this work comes together for one night only. Maguerite expects a lot from her dancers by not tailoring her movement to them. She expects them to be able to do her movement from the first audition. While John works in a producing capacity, he really has an eye for what works in terms of choreographing for the camera. Movement created for the stage is one element, but movement for the TV cameras adds an entire new dimension. Maguerite has a lot on her plate with the new Broadway show, "Wonderland", and the remake of "Fame" coming out in September. (Look for a 2 1/2 minute pas de deux in the Graduation scene of the movie. Woo hoo!) And, dancers, if you are looking to work with Maguerite, she is now finding Los Angeles dancers more versatile than New York dancers whom she thinks sometimes get stuck in a rut with one style after performing in long running shows.

High School Musical: Representing the HSM trilogy were Charles "Chucky" Klapow, Co-Choreographer, Mark Hofeling, Production Designer, Barry Rosenbush, Executive Producer. Well, I feel like the tide has finally turned on the HSM trilogy. The heat of this series has peaked and there were fewer questions for this group, although it was interesting to hear how Mark Hofeling put together an amazing set that was both utilitarian and safe for the dancers. Surprisingly, HSM 4 is coming our way. Sigh. I expect it will be a new crop of faces as most of the core cast has gone on to bigger and better projects. Keep your eye on Chucky Klapow, everyone. He is a rising superstar who is assisting Kenny Ortega with Michael Jackson's big comeback tour in London. If Jackson delivers, I think we should all expect a US comeback for the King of Pop. While we may be exhausted from his tabloid antics over the past decade, remember many of you ran home to see "Thriller" on MTV each afternoon. The King of Pop sure knows how to dance.

The one final tidbit I want to leave with you......SYTYCD fans, the Katie Holmes rumor is true. She will be performing a number from "Summer Stock" that was choreographed by Tyce Diorio. Don't let the tabloids fool you into thinking Nigel Lythgoe had anything to do with it. Let's give credit where credit is due.....go, Tyce!

Thanks for joining me for this special edition of Red Carpet Closet. Who cares what I wore? It was all about dance!

Reporting Live from Los Angeles,
Kristyn

PS If you enjoyed this special report, please follow me for the Can't Miss List on Dance Channel TV.

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