Behind the Scenes of The Web Files Buzz, Episode 2

Episode 2 of The Web Files Buzz is here and it's colorful, fun, and fast-paced.  We started out with our very first active set visit.  With all of the episodes we have shot, it amazes me that it took us about 33 episodes to make that happen.  Now, my work schedule is a bit ridiculous right now, so I know that was a bit challenging for other shows that have tried to make it happen.  With the Circus set, the stars aligned and I was in town for more than 24 hours.

We hit the set at Panavision Studios on Day 2 of shooting and it was everything I anticipated it to be:  bright, busy, shiny, noisy, and energetic.  Heck, it even smelled like a circus with all of the hay splayed about on the floor of the Circus set.  We were able to grab the interview on the set with Andrea Ball, the director and producer.  Andrea is well known in the new media circles and I have tremendous admiration for the what she accomplished with this project.  Along with Sarah Evershed and Olga Kay, you've got three fantastic, strong, smart, and young women under the age of 30 taking charge of their careers with an ambitious, interactive project for YouTube.  Can you tell I am impressed?

Of course, I cannot leave out the Ringmaster, David Lawrence XVII.  I loved that he offered to audition for the role.  I would have killed to have listened in on that phone call.  I imagine Andrea didn't even think twice about casting him.  David also let us in on some of the SAG new media news.  We are working on a future episode to address the unions' role in New Media, so feel free to suggest any particular topics or questions you want us to address in the comment section below.

The second half of the show focused on The Resolve web series premiere at the new media favorite fiesta site, Busby's.  Wow, I think there were over 300 attendees there to check out Russ Cootey's production.  Impressive numbers and a busy red carpet--maybe a little too busy as we had to dodge actors walking into our shots and other media outlets, but Russ should be proud that The Resolve drew such a crowd.  This episode convinced me that it's important for The Web Files to reach outside of the familiar faces of web series and take the opportunity to feature other shows that are making their mark.  Russ kept us in the loop for several months, so I was aware of the show, production, and the eventual red carpet.  Keep on sending those emails to us.  I know Sandra and I both read them and I take notes on specific series.  Along the way, I have learned that timing is always a key component to making decisions as to when and how we shoot certain shows.  If I ever reply to your email with questions about premieres, finales, distribution dates, exciting news, etc, you will understand why.  We want your episode of The Web Files to succeed as timing can make all of the difference and having those dates handy for us is really important.

Finally, I have to thank Blip.tv for their continued support of The Web Files.  Week after week, they find a way to feature our show on the home page.  They are always available to answer our tech questions and I think their player is one of the best in the business.  So, thank you for letting us be a part of the Blip family.

If you haven't caught Episode 2 of The Web Files Buzz, click here: The Web Files Buzz.

Photos 4 and 5 courtesy of Melissa Anchondo.

Behind the Scenes of MWG Entertainment's Camera Obscura

Earlier this year, I became a special effects makeup geek. I had the privilege of attending the Dick Smith tribute at the Academy of Motion Pictures hosted by Oscar winner and An American Werewolf in London legend, Rick Baker. After that evening, I was officially hooked on the art of makeup and special effects. When the opportunity presented itself to shoot MWG Entertainment's Camera Obscura interview at the Obscure Artifacts studio, I was giddy.

The series first came to my attention via the woman who does it all in the web series industry, Andrea Ball. She knows everyone and she has her finger on the pulse of the web series world. Sandra and I were looking to do a Halloween episode and we thought Camera Obscura would be a perfect fit once we saw their creepy trailer. So once we worked out all of the details with publicist extraordinaire, Gabriel del Rio, we were on our way.

I felt like a kid in a candy shop walking into Obscure Artifacts. It is fascinating to see all of the demons, creatures, and chopped off arms laying around. I am not sure I picked the right outfit for the day though. A special effects studio is a little messy and, of course, I choose a dress more appropriate for cocktails than demonic creatures.

The interview went by so quickly because we had so many people to talk to! Director Drew Daywalt truly represents his Twitter bio, "Nice guy, creep films". As a creator of short form horror videos for Fewdio, it is hard to imagine all of the horrifying images come from such a kind man. Visually, I think all of you are really going to be terrified by Camera Obscura from the Linda Vista Hospital location to the dreary sepia look of the show, it promises some true meat for horror fans to sink their teeth into. It is the anticipation of what is about to happen that is truly terrifying. During the interview, Drew gave a terrific explanation of how horror can work well in under 3 minutes and in a web series. And while I understand why so many new media creators look to take their web series to different platforms like film and TV, it was refreshing to hear that Drew created this show solely for the web.

I was thrilled to finally sit down with MWG Entertainment's Director of Distribution, Sarah Evershed. We both seem to be at the same places at the same time, but we never seem to find each other at the new media events. I think Sarah demonstrates the strength of MWG Entertaiment's slate of new shows and their focus on women....whether it is a comedy like Road to the Altar or the horror genre with a strong, female lead. MWG Entertainment is making web series for you, ladies!

Finally, we have Jeff Farley, the special effects creator for Camera Obscura and the owner of Obscure Artifacts. If you have a fascination for the behind the scenes creations, this is the man to follow. With an impressive resume filled with notable productions like Serpent and the Rainbow, Scary Movie 2, and an Emmy nod for his work on Babylon 5, Jeff brought the six demons that Drew created to life. While the time frame for the production might have been tighter and shorter than some of his prior big budget work, the demons are going to haunt you. I don't think we gave Jeff his full due because he shared so much with us in regards to his work on Camera Obscura. We are tossing around the idea of doing a supplemental episode with all of the extra Jeff Farley footage, so stay tuned for a future announcement.

Of course, I cannot forget Corpulence. As creepy as he is in person, I think he was flirting with me. Sassily played by the talented Paul Hungerford, I never knew what he was going to say next. In fact, I think Corpulence is a bit of a diva. Paul was a total trooper in the Corpulence suit. I am sure he lost half of his body weight from the interview alone, but he gave The Web Files some of the best sound bites yet. From the beak-like eyes to the chubby belly, the work that went into Corpulence is pretty incredible. I was completely freaked out by the clicking sound the beak makes when in operation. And yes, there is a wizard behind the moving appliances, it has to be controlled by another special effects artist who kneels behind the suit. It takes a lot of work to be scary!

I hope you all have a truly spooky and safe Halloween. If you haven't caught our episode yet, watch it right here: Camera Obscura. And here, you will find the blooper reel of our beloved Corpulence: Corpulence.